Anaïs Lelièvre continues her graphic work outside the frame, favouring supports other than paper, and presents a set of sculpted drawings. Her research in geology has led her to experiment with techniques of drawing in and with ceramics. Gestures, tools and graphic materials (drypoint digging, printing of typographic characters, ink dilution, laminated sheets, etc.) meet the earth, both inscribed and reactive, in the image of the varied territories that she explores through the residencies. "Steeped in Leroi-Gourhan's remarks on the gestures of writing, Anaïs Lelièvre invents a "writing of catastrophe": the Indian ink that flows; the repeated, liberated, violent gesture of the stylus that hits the clay in depth, where the paper does not allow it"... (Stéphanie Le Follic-Hadida)
She has benefited from numerous exhibitions in France and abroad: Frac Paca in Marseille, Museum of Drawing and Original Printmaking in Gravelines at the invitation of the Frac Picardie, Chapel of the Visitation in Thonon-les-Bains (curator Philippe Piguet), La Junqueira in Lisbon, Bienalsur in Riyadh and Jeddah... His works are present in public (Frac Picardie, MASC Museum in Les Sables d'Olonne, Jenisch Museum in Vevey, etc.) and private collections.