It seems that today things only exist if they are photographed, filmed. The joy of an evening with friends is not enough, you have to capture the image, share it, retouch, perform, put yourself on stage. So much so that the testimony we record has become dearer and more real to us than the event itself. And that everywhere, there is a double reign.

As an image collector, Lenny Rébéré probes the visual spaces of everyday life, in order to stage this ambiguous relationship to virtual worlds and the images they generate, as well as the way in which they modify our relationship with reality.

Whether it is through charcoal drawing, coloured pencil on paper, or ink on sandblasted and inked glass, the works created for the occasion are constructed in the manner of a bandwidth of images with multiple origins, selected, replaced and then reread for their ability to contaminate each other and to dialogue with each other thanks to drawing, in the formal but also contextual details inherent in each image.
Altered anonymous slides, surveillance camera recordings, advertising visuals, found or personal photographs taken by the artist... All these sources have become material for works that are declined as diurnal scenes of a daily and ritual collective life where the notion of time is relative, sometimes absent and sometimes accelerated, with discreet inhabitants - including those of indifference and social renunciation.